Night of the Living Dead, directed by George A. Romero and released in 1968, is widely regarded as the "zombie" picture that had the most impact and significance on the genre, but is it also the finest zombie movie ever made?Use of zombies, originality of scenario, realistic effects, gore and mayhem, sardonic societal commentary, dark humour, and genuine tension are all more important in determining the finest zombie movies of all time.
Chickens Have a Nightmare Called Poultrygeist The film Dead is a typical violent and low-budget Troma production. The parody of consumerism in this piece is very funny.
A group of stranded boaters encounter themselves on an isolated island where a Nazi experiment involving a sinking SS submarine has abandoned its zombie crew. Peter Cushing is miscast as an SS Commander who seems mad.
The Dead Next Door is a low-budget zombie action-drama that was shot entirely on SUPER 8 and features a combination of cringe-inducing amateur acting performances and touches of unexpected professionalism. It was produced by Sam Raimi, who used a portion of the proceeds from Evil Dead II to allow his friend J. R. Bookwalter to direct the film. The film was shot entirely on SUPER 8.
Globe War Z is one of the worst movies based on a great book, but the story of a UN investigator looking for a cure or biological agent to fight zombies is interesting.
A group of tourists explores an abandoned Templar monastery, waking up the blind dead who can hear your heartbeat. They are being chased across a meadow by a group of zombie Templar knights on zombie horses.
Zeder is an offbeat horror-drama that puts a new spin on the typical zombie flick by following a young author as he tries to solve the mystery of the K-Zones.
Nicholas Hoult portrays a zombie who, up until the point when he meets Julie, is wandering through a deserted airport with hundreds of his fellow undead.
Kindergarten teacher Lupita Nyong'o (Lupita N'yong'o) protects her kids from a horde of zombies.
The film shows off Nyong'o's talent for musical performance, and Josh Gad's irritating talents are used to good effect.
James Gunn parodied both the zombie genre and the alien genre in his film Slither. Even though there are many similarities to Night of the Creeps, the film is nevertheless enjoyable to watch despite its lack of originality.
In Let Sleeping Corpses Lie, the dead are woken up by sound waves.
The consequences of murdering insects are not completely as expected in this zombie flick, which is an intriguing combination of American zombie tropes and hard-to-place foreignness.
In Juan of the Dead, Juan tries to profit off the fear and uncertainty by launching a company that spirals out of hand.
In the next-to-last picture directed by George A. Romero, Dennis Hopper plays a ruthless plutocrat who rules over a walled-off Pittsburgh. It lacks the nuance of some of his other works, but it has Romero's signature rebellious spirit and looks amazing.
Planet Terror is a comical zombie film made by Robert Rodriguez and Quentin Tarantino about destructive zombie/mutants. It's great at being that sort of movie and should have done more at the box office.Rammbock is an indie German "feature film" that is only 63 minutes long. It revolves around a deluded sad-sack named Michael who visits his girlfriend's apartment just as a zombie outbreak occurs.
Cemetery Man is an experimental horror art-comedy about a cemetery caretaker who (living dead movies) drifts through life without purpose and questions why he bothers carrying out his duty. It's almost like American Psycho because the main character has no hope and doesn't know who he or she is.
Night of the Living Dead, remade in 1990 by special effects guru Tom Savini, is a faithful remake that does not attempt to change anything about the original picture. If the title weren't Night of the Living Dead, it would be considered a greater classic.
The narrative centres on a parasitic alien slug invasion that turns its victims into super-powered zombies. It's a tawdry, daring horror film set at a college that often seems like a zombified Animal House.
Hammer Horror is responsible for such classics as Dracula, Frankenstein, and The Mummy, as well as more recent offerings like Plague of the Zombies. Like in the classic horror film, Night of the Living Dead, their zombies are rotting corpses.
With a room full of zombies and a lawnmower that continues running despite being clogged with a thousand gallons of blood, Peter Jackson's horror-comedy Dead Alive is one of the genre's best triumphs.
Train to Busan is a movie from South Korea that is both a popcorn movie and a family story. At the end, there's action and make-up effects I've never seen before.
Lucio Fulci's The Beyond combines elements from the horror subgenre, such as demonic possession, the undead, and ghostly apparitions, with a haunted home setting.
The screening of a horror movie and the subsequent breakout of zombification and demonization among the individuals in the audience are both orchestrated by a secret conspiracy. This leads to a meat grinder of practical effects brutality and the struggle to survive.Zombi 2 is the best horror movie ever made. It is the crown jewel of the horror genre because it is so crazy and has so much blood. It has many memorable scenes that aren't just from the horror genre.
George Romero's Night of the Living Dead is the most important zombie film ever made, as well as a very influential independent film.
The rules of the zombie film genre were set by Romero's film, and subsequent zombie films have followed in its footsteps. The impact of Romero's film on the zombie subgenre is comparable to that of Tolkien on high fantasy "races," and it's impossible to have a meaningful discussion about the subject without first seeing it.
Evil Dead 2 is a remake of the first Evil Dead film, and is one of the best, most tightly paced horror comedies ever. It's also indicative of the changing attitude toward zombies in film, as seen in this film.
28 Days Later and Shaun of the Dead set precedents for the contemporary zombie film, demonstrating that the cultural zeitgeist of zombies could also be tapped for big laughs.
The conventional Romero ghoul is reimagined in Day of the Dead, which features Bub, maybe Romero's most famous zombie, who has an unique degree of personality and even humor.
One of the finest zombie movies ever produced is John Russo's follow-up to Night of the Living Dead.
The presentation, professionalism, thematic depth, and visual effects all improve with each subsequent Dawn of the Dead installment. The plot takes place in a tacky shopping mall that has been overrun by zombies, and the film is known for its iconic visual style, which other zombie movies either imitated or parodied.